Oil On Canvas, Real Flavor of Old Masters

All Francis Hayman 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
94410  
Lord Clive meeting with Mir Jafar at the Battle of Plassey in 1757, Francis Hayman
  		 Lord Clive meeting with Mir Jafar at the Battle of Plassey in 1757   circa 1760(1760) Medium oil on canvas Dimensions Height: 1,003 mm (39.49 in). Width: 1,270 mm (50 in). cjr
93253  
Portrait of a Gentleman, Francis Hayman
  		 Portrait of a Gentleman   c. 1750 Medium oil on canvas Dimensions 25 x 30 1/8 in. (63.5 x 76.5 cm) cjr
40927  
Portrait of a Man, Francis Hayman
  		 Portrait of a Man   mk158 c.1747
94407  
Portrait of Francis Hayman, Francis Hayman
  		 Portrait of Francis Hayman   1760s cjr
40926  
Portrait of Mr and Mrs George Rogers, Francis Hayman
  		 Portrait of Mr and Mrs George Rogers   mk158 c.1751
68417  
Reigen der Milchmadchen oder das Manifest, Francis Hayman
  		 Reigen der Milchmadchen oder das Manifest   c. 1735 137 ?? 234 cm
94408  
Reigen der Milchmadchen oder das Manifest, Francis Hayman
  		 Reigen der Milchmadchen oder das Manifest   c. 1735 Medium oil on canvas Dimensions Deutsch: 137 x 234 cm cjr
81803  
Unknown woman, Francis Hayman
  		 Unknown woman   1745(1745) Medium Oil on canvas Dimensions 622 x 448 mm (24.49 x 17.64 in) cyf
Francis Hayman
English Painter, 1708-1776,English painter and illustrator. He was in London at the age of 10, and from 1718 until c. 1725 he was apprenticed to Robert Brown (d 1753), a decorative painter. From 1732 Hayman was employed as a scene painter at Goodman's Fields Theatre, where he painted allegorical works such as The King Attended by Peace, with Liberty and Justice Trampling on Tyranny and Oppression on the pit ceiling (destr.). He moved to Drury Lane Theatre in 1736, shortly before the Licensing Act closed Goodman's Fields. At Drury Lane he painted scenery for Thomas Arne's masque The Fall of Phaeton (1736) and was praised for his naturalistic landscapes. From the late 1730s he began accepting commissions for portraits and conversation pieces. His success in the field of portraiture rested on the dearth of good portrait painters in England at the time and his exploitation of a growing middle-class clientele. Hayman painted portraits of doctors, literary men and actors.



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